James McBride’s memoir, The Colour of Water, is split into distinct sections that alternate between McBride’s personal life narrative and his mom, Ruth’s, story. Whereas these sections is perhaps perceived as chapters by some readers, the e book would not adhere to a standard numbered chapter construction. The narrative unfolds by these interwoven private histories, making a nuanced and sophisticated portrait of household, race, and identification.
This structural alternative enhances the thematic resonance of the memoir. By presenting parallel narratives, McBride emphasizes the interconnectedness of his and his mom’s lives, demonstrating how her experiences formed his personal. This back-and-forth method permits for a deeper exploration of themes corresponding to racial identification, secrets and techniques, and the complexities of mother-son relationships. The shortage of formal chapter breaks contributes to a way of fluidity and interconnectedness, mirroring the movement of reminiscence and the intertwining of their lives.
